A trilogy of 3 paintings inspired by Iceland, aptly named the Land of Fire and Ice, as it evokes many a strong emotive feeling with its haunting landscapes, ever-changing expansive skies and clouds drama, wintry ice sculptured vistas, all in dramatic surrealistic otherworldly hues that one can only imagine exist in the real world.
The land was chilling, the weather harsh, full of contradictions and extremes that only Mother Nature can render in all its glory without inhibition. And it was a blessing to witness, to experience, and at long last, to paint, the indelible images that stuck with the emotions infusing in the strokes of these 3 pieces, epitomising serenity, exuberance and unbridled imagination.
Title: Akureyri (O113)
Description: Haunting landscape painting of northern Iceland with colourful twilight purple pink sunset skies, icy snow mountains and surreal ice lake reflections, in impasto impressionistic strokes reminiscent of Van Gogh. Icelandic Series 2014.
Medium: Oil on Ready-to-Hang Canvas.
Dimensions: 61 x 61cm.
Title: Abstract Field (O112)
Description: Abstract landscape painting of yellow orange fiery Icelandic wheat field in vibrant colours and rhythmic strokes, much like a child's pictorial. Icelandic Series 2014.
Medium: Oil on Ready-to-Hang Canvas.
Dimensions: 61 x 61cm.
Title: Pink Thoughts (O111)
Description: Surreal whimsical Iceland city lake painting with pink twilight clouds, abstract blue white water reflections and brown orange autumn leaves. Reykjavik, Icelandic Series 2014.
Medium: Oil on Ready-to-Hang Canvas.
Dimensions: 61 x 61cm.
Purchase at: yen.artfire.com
I seldom paint flowers, not sure why. Maybe because they are ephemeral in nature and I just love to admire them when I see, perhaps capturing in film but not more. I also adore wild flowers much more than the planted ones, because they bloom despite, because they are a privilege to catch, because they seem so free-spirited..
One of the greatest joys trekking the Jeju Olle Trails was chancing upon these wild flowers that dot the varying nature landscape all over the island. They are a constant, like the waves and the black rocks. And they never fail to bring a smile to my face :)
So I am inspired to paint a piece on flowers again, however cliche the material ;p It's just a much treasured image of my memories of Jeju - the carefree feeling of simple joy that it brings me - that I'd like to capture as a momento beyond film.
Title: Wild Flowers 野花 (O92)
Description: A colourful floral painting inspired by the wild flowers in Jeju, which brought many a smile to a hiker's face on the Jeju Olle Trails. Jeju Notes 2013.
Medium: Oil on Ready-to-Hang Canvas.
Dimensions: 76 x 76cm.
Purchase at: yen.artfire.com
I thought I was done with painting Spain but a re-visit this year traversing the aragon pyrenees to the south rekindled the passion, and so it was that I started with the most memorable place that embellishes itself into my mind, and heart, forever.. Ainsa.
A little village in the Camino Aragones (see my Spain Camino series), Ainsa was once the capital of the medieval Kingdom of Sobarbe. With a colourful tumultous history, the town saw in turn the imprints of the Celts, the Romans, the Muslims and finally, the Christians in the Reconquest of the Middle Ages. I fell in love with it at first sight, drawn to its beckoning mystique and sense of history, and knowing that I would paint it, I went about taking postcard pictures :)
Strangely this was a canvas that I had tried painting a city landscape that didn't quite work. On impulse, I painted over it straight, and either the colours of the original canvas, or my strong emotions on reminiscing Ainsa, took over. It was pure delirium to translate the aura of Ainsa on canvas. And thus, the happy result where I discovered a colour tone that I have not used before but sets out the feel of the medieval architecture perfectly.
Title: Ainsa (O71)
Description: A is for Ainsa, a little village in the Camino Aragones, once the capital of the medieval Kingdom of Sobarbe and seeing the imprints in turn of the Celts, the Romans, the Muslims and the Christians in the Reconquest of the Middle Ages. I fell in love with it at first sight, drawn to its aura of mystique and history, and knew that I would paint it. Spain Vignettes 2011.
Medium: Oil on Ready-to-Hang Canvas.
Dimensions: 76 x 61cm.
SOLD.
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